In order to measure what’s a hit and what’s a miss on Netflix, people have come up with various guesstimations. Via the company’s co-CEO, we now have an official list.
‘The Tragedy Of Macbeth’, from director Joel Coen, has been labelled an “austere reimagining of Shakespeare’s Scottish bloodbath”.
The film received rave reviews when it debuted at the Venice Film Festival, where Stewart was heralded as an instant Best Actress Oscar contender.
Tom Hanks, a trusty dog, and a robot that he built to protect them all team up for a new end of the world movie.
Fridays are for finishing work early. To help you pass the time, here are three trailers worth a peruse.
In the past, Gyllenhaal has more than proven his range by taking on roles that are challenging in different ways.
I can pinpoint one main reason for the timing of this list. ‘The Many Saints of Newark’ is coming out soon, starring James Gandolfini’s son as a young Tony Soprano.
The first thing you’ll notice about ‘Don’t Look Up’ is probably the all-star cast as the familiar faces just keep on popping up.
Usually, we wait until the end of the week for our triple trailer perusal posts, but here we are.
Edgar Wright’s new film is full to the brim with nostalgia, mystery, horror, and Anya Taylor-Joy being as supercilious as ever.
James Bond’s most difficult mission so far might have been sticking to a release date, but finally ‘No Time To Die’ hitting theatres is almost upon us.
The film, a prequel to ‘Kingsman: The Secret Service’ and ‘Kingsman: The Golden Circle’, was originally slated for release in February 2020.
Pablo Larraín’s highly-anticipated biopic about Princess Diana, featuring the unlikely Kristen Stewart in the main role, unfolds over three days during one of Diana’s final Christmases at the House of Windsor.
Following a little leak, the official trailer for Marvel’s highly anticipated ‘Spider-Man: No Way Home’ has been released.
There are already a number of great Maradona documentaries out there, but Netflix’s ‘The Hand of God’ isn’t one of them. The movie focuses on the story of Oscar-winning Italian filmmaker Paolo Sorrentino.
The weekend is almost upon us, so let’s take a gander at a wild-eyed Nicolas Cage and two other trailers that caught our attention this week.
The digital revolution is allowing film stars to demand paydays based on new equations that create exponentially higher upfront figures.
The same deepfake technology that was used to animate photos of deceased relatives is being used to promote Hugh Jackman’s new movie, and your face can feature.
It is no surprise that many of the highest-grossing box office movies ever are part of a franchise, aside from two James Cameron classics.
Butler plays a hitman chasing down a conman, who will do just about anything to avoid becoming Butler’s latest victim.
Playing tough guys is kind of Clint Eastwood’s thing, and ‘Cry Macho’ is very much on the money.
In anticipation of ‘Free Guy’, Ryan Reynolds’ latest movie, the actor shows himself absolutely jacked in a video explaining how 2021 was a real growth year for him.
Ridley Scott’s murder drama, ‘House Of Gucci’, stars Lady Gaga, Adam Driver, and Jared Leto.
Hey, would you look at that? It’s Friday. Time to ease into the weekend with a few trailers for your perusal.
Big names like Oscar Isaacs, Willem Dafoe, and Martin Scorsese make up the crew and cast for Paul Schrader’s highly anticipated revenge thriller.
Starring Paul Rudd and Finn Wolfhard from ‘Stranger Things’, the trailer for the new ‘Ghostbusters’ seems to be opening up the world of Slimer/ The Mean Green Ghost to a whole new generation.
As we begin to clock watch, counting down the minutes until the weekend kicks off, having a gander at a few movie trailers always goes down a treat.
M. Night Shyamalan’s latest horror, ‘Old’, has rave reviews for being as intense and highbrow as is possible for a movie in the genre.
‘Jackass’ is back again with much of the original crew, and some new faces mixed in, while remaining devilishly young at heart and full of wild antics.
If you haven’t figured it out yet, there’s a whole other side to Netflix, hidden from you by algorithms that presume to know what you like.