Roberto Duran and Ray Arcel are boxing legends, who each deserved their own respective biopics. Duran, a Panamanian professional boxer, is widely regarded as one of the greatest boxers of all-time and American boxing trainer, Arcel, trained 20 world champion boxers. Hands of Stone, the nickname Duran earned for his devastating punching power, tries to encompass their uneasy relationship and both of their stories. While ambitious, this is probably where writer-director Jonathan Jakubowicz went wrong, trying to bundle two larger-than-life characters and their stories into one film.
Robert De Niro is a luminary of the sports genre, having starred in the black-and-white Scorsese classic, Raging Bull and more recently, Grudge Match. Instead of casting someone like his Grudge Match co-star Alan Arkin as Ray Arcel, the film-makers have given the big name star the duty, which he does with his usual vigour. While it’s punted as a co-lead role, it was probably intended to be a supporting role to Edgar Ramirez as the cantankerous, Roberto Duran. There’s some good sparring between the actors as Arcel tries to rope Duran’s ego in, but you just feel they could’ve done more to foster the tension.
The cast is bolstered by the presence of Ana der Armas, Ruben Blades, John Turturro, Ellen Barkin and Usher Raymond, who plays Duran’s main rival, Sugar Ray Leonard. The exquisite Ana der Armas lights up the screen taking on a role similar to that of Margot Robbie in The Wolf of Wall Street. Ruben Blades is the unscrupulous manager, who parades like a drug kingpin. John Turturro brings the mafia’s influence while Barkin keeps De Niro honest at home in the complete antithesis of his role as Jake LaMotta.
“I named my gloves Sugar and Daddy… and Daddy’s upset!”
Having a fine cast and captivating performances gives Jakubowicz hooks to hang his story on. Unfortunately, it seems like the scope is too broad as he attempts to check as many boxes as possible whilst keeping within the confines of the sports genre. We get a view of Duran’s upbringing as a poor Panamanian kid during a turbulent political time, his tempestuous relationship with Felicidad, his escalating egomania, his lack of education and some of his big boxing match ups. This is punctuated by a behind-the-scenes on Arcel’s journey, his troubles with the mafia and the nature of the sport through its transition to television.
Hands of Stone should have been two biopics, but tries to coast on its 2-for-1 deal by keeping you off-balance with its frenetic pace and dynamic visuals. It’s as if Jakubowicz is trying to relay Duran’s very nature through the tone, delivering a fierce, exciting, hedonistic and unpredictable film. The colours, panache and vigour with which its presented keeps you locked into the action, even if the drama’s a little formulaic and undercooked. The boxing matches are one of Hands of Stone’s highlights, delivering raw, visceral boxing sights and sounds like never before. You feel every punch and jolt vicariously thanks to some sharp cinematography, editing and foley work.
The amazing true story may be diluted by the glut of similar pugilist dramas out there, but the excesses of fame and fortune make this biopic fascinating and drunk with power. Hands of Stone swaggers around like it owns the screen but never really gives you a reason to care for Duran, whose self-destructive tendencies make it difficult to identify with his arrogant, rags-to-riches brawler. The by-the-numbers script doesn’t give us anything fresh to chew on, making this one more about style than substance. It’s entertaining and has enough power to follow-through but you should probably only consider watching it if you enjoyed films like Southpaw and The Wolf of Wall Street.
The bottom line: Fierce
Release date: 21 October, 2016
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